I’m new to the film simulations in a Sony. I have an A7C with a 20mm/1.8 G and this is my first attempt.. This is in early February, late afternoon. Do you think this was the right sim? Would Kodak Gold have been better?
It largely depends on the mood you're aiming for. Your vision is the most important factor—what emotions do you want to convey? I could suggest a few film simulations, but whether they resonate with you is entirely subjective.
Some might argue that warmer tones work best for portraits, but what if your story is a somber one? In that case, a colder, desaturated, or high-contrast film simulation might better capture the mood.
So, what do you want to express?
Take the old, rusty structures from the current shots—do you want them to feel warm and inviting? then Kodak Gold is a good choice. Or would a colder, desaturated, high-contrast look better suit your vision? Then maybe try Vektro 100. Or maybe, you'd prefer something dramatic, like RedScale Ultra, which mimics the effect of a red filter, enveloping the entire image in deep red hues.
Colors have their own language; they shape emotions and set the tone of an image.
Since you're just starting out, the best approach is to experiment with as many film simulations as possible. This will help you define your style and understand the kind of images that truly speak to you.
Thank you!
It largely depends on the mood you're aiming for. Your vision is the most important factor—what emotions do you want to convey? I could suggest a few film simulations, but whether they resonate with you is entirely subjective.
Some might argue that warmer tones work best for portraits, but what if your story is a somber one? In that case, a colder, desaturated, or high-contrast film simulation might better capture the mood.
So, what do you want to express?
Take the old, rusty structures from the current shots—do you want them to feel warm and inviting? then Kodak Gold is a good choice. Or would a colder, desaturated, high-contrast look better suit your vision? Then maybe try Vektro 100. Or maybe, you'd prefer something dramatic, like RedScale Ultra, which mimics the effect of a red filter, enveloping the entire image in deep red hues.
Colors have their own language; they shape emotions and set the tone of an image.
Since you're just starting out, the best approach is to experiment with as many film simulations as possible. This will help you define your style and understand the kind of images that truly speak to you.